Arizona is really cool but I couldn't stay there for too long.

Sixties folk rock was my original muse and the folk audience-people who listen to music off the beaten track-fostered my career. I definitely don't want to abandon the genre but I also need to make sure I'm Dar Williams first.

Basically, I have found that people who have tried to start communities out of good feelings or hippie-dippie abstract concepts of love - it doesn't work. But if you just concentrate on what is the identity of your town - its waterfalls, its battles, its notable mill strike or those things - you dig into what your town is from its rock formations to its history to its food. Then this thing called community happens all the time.

The only word for love is everybody's name.

There was one tour where I thought, "If I can't get this feeling back of being excited to be on the stage, then I will quit." Because I have friends who have dialed it in and I watch their concerts and shake my head. I'm sure the audience can tell, too.

I went to Canada and played in this tiny bar where the windows were steaming up and everybody was so animated and singing along right there at the foot of the stage, looking up, and I got my mojo back .

There was this moment in 2003 when I was asked to do a fundraiser for someone who was speaking out against the Iraq war when nobody was. I said, "I will do a fundraiser for that guy." And then my friend John Hall, from the band Orleans...He ran for Congress in my district and won. I did a bunch of fundraisers for him.