"Based on a true story" is a come-on, the aesthetic equivalent of "no loan request refused." For, at best, the creator has fashioned a film based on his understanding of, interpretation of, and reduction of the report of an actual occurrence.

Characters on stage, like people in what we refer to as "real life," do not speak to reveal themselves. They do not speak to conceal themselves. They speak to get whatever it is that they want. It is the only reason they speak.

A good writer gets better only by learning to cut, to remove the ornamental, the descriptive, the narrative, and especially the deeply felt and meaningful. What remains? The story remains.

The Israelis would like to live in peace within their borders; the Arabs would like to kill them all.

The images in a dream are vastly varied and magnificently interesting.

If you're neurotic and you think, I'm not where I deserve to be or my mother didn't love me, or blah, blah, blah, that lie, that neurotic vision, takes over your life and you're plagued by it 'til it's cleansed. In a play, at the end of the play, the lie is revealed. [T]he better the play is, the more surprising and inevitable the lie is, as Aristotle told us. Plays are about lies.

I took the liberal view for many decades, but I believe I have changed my mind.