The difference between writing where you know where to draw the line and writing where you're being way too mean is whether you can tell that the writer is not talking to family or friends anymore. Generally, if you say something bad about somebody on stage, you need to say two bad things about yourself. A lot of times, I think I'm the worst person in the room.

I think if you write humor, then people don't - you know - they don't give you that much credit. They tend to think you just dictate your stories into a tape recorder. And I'm not necessarily insulted by that, because I think that just means that it looks easy.

...clatter of a typwriter suggests that you're actually building something.

All of a sudden, when you're exposed to a large audience, they think you just started writing that day, but I started years before. I look back at things I wrote then and I'm so embarrassed - the writing seems so blocky and choppy to me and I wouldn't have wanted success any sooner because the writing was even worse.

Their house had real hardcover books in it, and you often saw them lying open on the sofa, the words still warm from being read.

This left me alone to solve the coffee problem - a sort of catch-22, as in order to think straight I need caffeine, and in order to make that happen I need to think straight.

I’d always been afraid of sick people, and so had my mother. It wasn’t that we feared catching their brain aneurysm or accidentally ripping out their IV. I think it was their fortitude that frightened us. Sick people reminded us not of what we had, but of what we lacked. Everything we said sounded petty and insignificant; our complaints paled in the face of theirs, and without our complaints, there was nothing to say.