Like anyone nostalgic for a time he didn't live through, I chose to weed out the little inconveniences: polio, say, or the thought of eating stewed squirrel. The world was simply grander back then, somehow more civilized, and nicer to look at.

My first semester I had only nine students. Hoping they might view me as professional and well prepared, I arrived bearing name tags fashioned in the shape of maple leaves.

In America, if your next-door neighbor has a Rolls-Royce, you want one too. But in England, if your neighbor has a Rolls-Royce, you want him to die in a fiery accident. That's a quote from someone else, but there's something about American optimism, that feeling you can do anything if you're at least middle class in America. If I can have a writing career, anyone can. There's nothing special about me.

I would be writing and trying to write like Joan Didion. Or if I was reading Raymond Carver. You know, strong stylists. But that's how you find your voice, is imitating other people. So things like that didn't embarrass me, because I thought, well, that's how it goes. That's how everyone learns.

The word 'phobic' has its place when properly used, but lately it's been declawed by the pompous insistence that most animosity is based upon fear rather than loathing.

I'm completely fascinated by the health-care debate going on in the United States, especially by posters of Obama with a little mustache drawn on his upper lip. Is that what Hitler is really known for, his health-care plan? To quote Bill Maher, "I haven't seen this many pissed-off old white people since they cancelled 'Murder She Wrote.'"

It was the look you get when facing a sudden and insurmountable danger: the errant truck, the shaky ladder, the crazy person who pins you to the linoleum and insists, with increasing urgency, that everything you know and love can be undone by a grape.