I sometimes read books on my iPad.

Performance is really an important part of how I edit. I sometimes take something out because I realize I put in a joke just to be funny and the audience laughed, but I should be ashamed of myself. I sometimes take out sentences, which are perfectly fine on paper, just because they don't flow when I say them out loud. I always read my work out loud now.

One thing I like about the United States, and I kind of miss about the United States, is there's an election coming up here in England, but no one's going to have a sign in front of their house. Nobody's going to wear buttons. And in France, same thing. In America I like that people have signs and buttons and bumper stickers. Sometimes you'll smile at someone from a distance, then you'll get up close and you'll see their pin, and you're like, "Oh my god. I wasted a smile on you?"

I was the type of person who was the question-asker. And not just genuine questions, I would ask a question so the author would know how much I knew about them. Once I went to a Tobias Wolff reading. I knew he was teaching at Syracuse at that time. And so, I remember asking him how he liked Syracuse. People do that to me now and it's okay. There is rarely a time when I just have had enough.

What other people call dark and despairing, I call funny.

What's strange is, the people who want to be in the position are never asked to be in the position. Like, if you don't want to do something, then people really want you to do it. And the more you say, "No, really, I'm sorry, it's really not for me," the more they want to convince you that it is, in fact, for you, and that you'd be absolutely perfect.

They were Jesuits," she told me. "That means they believe in God but not in terlet paper. You should have seen their underwear. Disgusting.