He die one day, and then he go above of my head to live with your father." He weared the long hair, and after he died, the first day he come back here for to say hello to the peoples." He nice, the Jesus.

I think if you write humor, then people don't - you know - they don't give you that much credit. They tend to think you just dictate your stories into a tape recorder. And I'm not necessarily insulted by that, because I think that just means that it looks easy.

This left me alone to solve the coffee problem - a sort of catch-22, as in order to think straight I need caffeine, and in order to make that happen I need to think straight.

My sister Tiffany told me years ago, 'You can never write about me.' Then she called six months ago and said she wanted to be in a story. She was worried people thought I didn't like her.

You really burden the reader if you put things in but, "Oh, it's not interesting, but I'll put it in anyway." Then the reader's going to think, like, "Mmm... no thanks." So the thing is to cut all that stuff out before its published.

I think I became a better writer after I started writing for the New Yorker. Well, I know I did. And part of it was having my New Yorker editor and part of it is that was when I started really going on tour and reading things in front of an audience 30 times and then going back in the room and rewriting it and reading it and rewriting it. So you really get the rhythm of the sentences down and you really get the flow down and you get rid of stuff that's not important.

If you aren't cute, you may as well be clever.