I always tell Lawrence Gilliard Jr. he never got a decent bite of the apple, so I was happy we had a role that seemed perfect for him. I like the idea of him as one of the few moral centres of the Wire show.

People from here will often say, "I'm not from the United States, I'm from New Orleans."

Any music can be healing if it inspires, relaxes, encourages or creates enthusiasm for life in you.

Lawrence Gilliard Jr. is a fine actor and I've always felt some residual guilt that we killed him so early in The Wire. It was always planned that way; we didn't kill him because of anything he did, we don't kill off actors just to do it.

Doesn't matter if you're fourteen or if you're eight, there's an incredible vernacular that I do believe has become more and more plausible to talk this way in the public sphere, I think because we live in such a coarse and pornographic era. Years of this has produced a certain amount of misogyny that is just a given of life in America at this point.

We are innately creative beings capable of writing a love story worth living, and we cannot afford to miss out on the opportunity to experience nourishing relationships.

Sex work is a completely unregulated industry and to make the affront even worse, the product and the labourers are the same thing! The product is the sexuality of the actual labourers: flesh. I think in that sense, the exploitative nature of unencumbered capitalism is made even more dramatic.