Choices are much more practical and small when you're dealing with a real story. It's about execution, it's not about content.

That's what we were interested in: how power and money ran itself, much more so than 'drugs are bad, drugs are good.' That seems to me a simple moral equation and one you don't have to spend 60 hours of television examining. And I think the same thing is true with how we approached pornography or prostitution. Prostitution's been around since the Bible, and pornography's been around since about 15 minutes after the French guy invented the first camera.

We have no sense of the collective anymore in America. The response to Katrina was proof positive of that.

One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage.

In Baltimore they can't do police work to save their lives. Now because of Freddie Gray they're not even getting out of the car and policing corners - they're on a job slowdown, basically. Right now if the police stopped being brutal, if we got police shooting under control, and the use of excessive force, if we have a meaningful societal response to all that stuff, and the racism that underlies it, the question still remains: what are they policing, and why?

It is your birthright to have a life of meaning and purpose. Whether or not the people in your life have consistently celebrated your incarnation, you deserve to celebrate your existence.

TV writers live life of well-paid, specialty prostitutes. We have a very special skill set and we occupy one of the higher floors in the bordello that is writing. We do a very particular job for a very select clientele.