It's important to have your own space. I've never trusted people who do everything together. I call them "Kool-Aid Couples," because it's like they drank the same Kool-Aid and it's drugged them into constantly gazing into each other's eyes.

We didn't have rehab back in the Seventies. Back in the Seventies, rehab meant you stopped doing coke, but you kept smoking pot and drinking for a couple more weeks.

Liz [Gillies] doesn't really listen to anything new, besides Adele, Ariana Grande, and stuff like that. She loves '70s music and old '60s songs. She loves songwriters from the '70s that I hate, like Jim Croce and James Taylor, and she loves Stevie Nicks and old jazz classics.

I'm one of the people that when I wake up I have to do what I do. It's not like I want to do it. I kind of have to do it.

You know why the French hate us so much? Thay gave us the croissant. And you know what we did with it? We turned it into our croissandwich, thank you very much.

I wanted to get more serialized. I had this idea for an event that would click onto everybody's mortality. I said, "I want somebody to die." Fortunately for me, when I was toying with that idea, John Landgraf, who's the head of FX but also a very smart executive, came up with the idea of the ashes in the maracas. He called me up and said, "Listen, what about this, they get the ashes in a box and when they get them, they shake them and they sound like maracas." And I was like, "Okay, now I've got my throughline."

I'm not saying being a comedian is brain surgery, but it is definitely - it's like being a carpenter. You learn how to make tables and chairs. You have to have the right tools, and you have to know how to put the thing together, right?