My generation of director has no illusions that we are going to be fed and cared for by subsidized theater in America.

For me, the reason why people go to a mountaintop or go to the edge of the ocean is to look at something larger than themselves. That feeling of awe, of going to a cathedral, it's all about feeling lost in something bigger than oneself. To me, that's the definition of spectacle.

The idea of making audiences feel like they matter, that the theatre matters, and that they're a partner in the event—that's what fuels me as a director . . . I believe it's actually radical to think about the audience.

Creativity and the world of the imagination - the beauty of what we see as a child and the kind of play that we experience as a child - can be a way for us to survive tough times.

Im always interested in working with people who are good team players - that are selfless that way in their interests and dedication to the project.

Im always interested in looking - historically - at how theater can animate history and how all of that can make us engage with our lives in an enriching way.

Art cannot be looked at as an elite, sacred event anymore. It has to be embraced as an accessible, popular form, which is what I believe theater is at its roots.