It was at a vividly bad time in Norman Mailer's life that I met him, and a sort of water-treading time in mine. He had stabbed his wife, and I was a copy boy at Time magazine.

It's not always easy to identify your own voice. It comes with time.

Being the offspring of English teachers is a mixed blessing. When the film star says to you, on the air, 'It was a perfect script for she and I,' inside your head you hear, in the sarcastic voice of your late father, 'Perfect for she, eh? And perfect for I, also?'

The mob became unruly and the police were forced to resort to sex.

Every time I nostalgically try to regain my liking of John McCain, he reaches into his sleaze bag and pulls out something malodorous.

I have a feeling that about 90% of my life has been shaped by my voice, both as an embarrassment and as an advantage. There was always the terrible incongruity of this deep voice barreling out of this little body. Somewhere in the back of my mind I was aware that it was ludicrous, that it took on an importance that wasn't really there.

I have never been converted to or even had much interest in spiritualism, occultism, Swedenborgianism or any particular religion. And I never, except occasionally for a laugh, visit the quacks who call themselves psychics.