The other thing that I got back then - the Parker novels have never had much of anything to do with race. There have been a few black characters here and there, but the first batch of books back then, I got a lot of letters from urban black guys in their 20s, 30s, 40s. What were they seeing that they were reacting to? And I think I finally figured it out - at that time, they were guys who felt very excluded from society, that they had been rejected by the greater American world.
Donald E. WestlakeSeem to be telling this, but really telling that. Three-dimensional writing, like three-dimensional chess. Nabokov was the other master of that. You could learn something from Nabokov on every page he ever wrote.
Donald E. WestlakeNothing about it interested me. Or about anything else, except making up stories. If literacy weren't so nearly universal, God knows what I'd be. A drain on the State, I shouldn't wonder.
Donald E. WestlakeNew York doesn't exactly have neighborhoods, the way most cities do. What it has is closer to distinct and separate villages, some of them existing on different continents, some of them existing in different centuries, and many of them at war with one another. English is not the primary language in many of these villages, but the Roman alphabet does still have a slight edge.
Donald E. WestlakeI'm one of the narrative-push people. I don't outline, I don't plan ahead. So I'm my first reader, telling myself the story as I'm going along. Since I haven't designed it ahead of time, each day I have to be sure that the footing is solid before I make the next step. I think you could be more intricate if you work it out ahead of time.
Donald E. Westlake