In fact, there is perhaps only one human being in a thousand who is passionately interested in his job for the job's sake. The difference is that if that one person in a thousand is a man, we say, simply, that he is passionately keen on his job; if she is a woman, we say she is a freak.

Fantasy works inwards upon its author, blurring the boundary between the visioned and the actual, and associating itself ever moreclosely with the Ego, so that the child who has fantasied himself a murderer ends by becoming a Loeb or a Leopold. The creative Imagination works outwards, steadily increasing the gap between the visioned and the actual, till this becomes the great gulf fixed between art and nature. Few writers of crime-stories become murderers--if any do, it is not the result of identifying themselves with their murderous heroes.

If we did not know all His retorts by heart, if we had not taken the sting out of them by incessant repetition in the accents of the pulpit, and if we had not somehow got it into our heads that brains were rather reprehnsible, we should reckon Him among the greatest wits of all time. Nobody else, in three brief years, has achieved such an output of epigram.

Anythin' wrong leaves a kind of impression on the eye; brain trots along afterwards with the warnin'.

To start with invention is the mark of the fertile mind ... and leads later to the interpretation of experience; to start with the reproduction of experience is the infallible index of a barren invention.

People who prefer to believe the worst of others will breed war and religious persecutions while the world lasts.

The making of miracles to edification was as ardently admired by pious Victorians as it was sternly discouraged by Jesus of Nazareth. Not that the Victorians were unique in this respect. Modern writers also indulge in edifying miracles though they generally prefer to use them to procure unhappy endings, by which piece of thaumaturgy they win the title of realists.