That would be a good thing for them to cut on my tombstone: Wherever she went, including here, it was against her better judgment.

Oh, both my shoes are shiny new, And pristine is my hat My dress is 1922… My life is all like that.

The House Beautiful is the play lousy.

[On Kay Strozzi in The Silent Witness:] Miss Strozzi ... had the temerity to wear as truly horrible a gown as ever I have seen on the American stage. ... Had she not luckily been strangled by a member of the cast while disporting this garment, I should have fought my way to the stage and done her in, myself.

The nowadays ruling that no word is unprintable has, I think, done nothing whatever for beautiful letters. The boys have gone hog-wild with liberty, yet the short flat terms used over and over, both in dialogue and narrative, add neither vigor nor clarity; the effect is not of shock but of something far more dangerous — tedium.

[On hearing that Clare Boothe Luce was invariably kind to her inferiors:] And where does she find them?

Men They hail you as their morning star Because you are the way you are. If you return the sentiment, They'll try to make you different; And once they have you, safe and sound, They want to change you all around. Your moods and ways they put a curse on; They'd make of you another person. They cannot let you go your gait; They influence and educate. They'd alter all that they admired. They make me sick, they make me tired.