I'm at best on stage. It's one of the only places where I actually can feel like a million bucks.

The reason I can do what I do on stage is because I couldn't fake it.

I wonder a lot about making things meaningful. You want to do meaningful work and make art, but you're making records, which is good, but you don't want to weight them - it's a very curious thing.

That was how I got into music and art was being a battle kid from Jersey, so I didn't have these wonderful ways of learning commitment, dedication, practicing skill.

I am not concerned about the 80 BMP consistency law of popular music. I'm concerned with other things, and they're very valid.

I can deal with all the pangs of having to find money in 20 different places because you don't really reap the whirlwind with this cutting-edge music.

I'm not musically trained and I'm not all these other things. I'm creative with a keyboard and a drum machine, but I can't really make these perfect minimal musical executions - all the things that would be nice with all these refined poems.