I'd love to sign a contract for the soundtracks to every Wes Anderson movie, you know what I'm saying? Things like that, I have no spots on my conscience about.

That was how I got into music and art was being a battle kid from Jersey, so I didn't have these wonderful ways of learning commitment, dedication, practicing skill.

The reason I can do what I do on stage is because I couldn't fake it.

I've been writing a lot about just the aspects of luck and being picked, and how of course it's always how one perceives themselves in the world, as a bit of a scapegoat or a bit of a hero. Everyone generally has about a 60/40 split that volleys, between those two.

I am not concerned about the 80 BMP consistency law of popular music. I'm concerned with other things, and they're very valid.

A lot of artists make art for five years, some artists make art for ten years, a few make art for fifteen: very few do it until they die.

I'd love to sign a contract for the soundtracks to every Wes Anderson movie, you know what I'm saying? Things like that, I have no spots on my conscience about.