It's true that in Romanian I feel more relaxed, as if I'm wearing slippers...but I came to this decision primarily for other reasons: I had only published three collections of texts in Romania. Even before my exile I was prohibited from publishing, I was ignored and forgotten. In going back to Romanian I had the opportunity to take my revenge.
Dumitru TepeneagSince adolescence I've had a passion for Romantic Fantastique literature, which continued with Expressionism and culminated with the genius of Kafka. It's that German thread of the metaphysic - they were looking for the beyond in dreams.
Dumitru TepeneagThere is no one 'best set-up', there are many - you can get to mate in endless ways. And - don't forget! - in chess, like in literature, "the other" (the reader, the adversary, the partner, etc.) has to be a collaborator, has to work with you to get to the final goal. We depend on them! But they also depend on us.
Dumitru TepeneagIt's true that in Romanian I feel more relaxed, as if I'm wearing slippers...but I came to this decision primarily for other reasons: I had only published three collections of texts in Romania. Even before my exile I was prohibited from publishing, I was ignored and forgotten. In going back to Romanian I had the opportunity to take my revenge.
Dumitru TepeneagWe don't recount our dreams; we construct them with the materials of reality. We aren't looking for God, psychic truth or authenticity, but for esthetic effect. That's why I baptized our movement Structural, or Esthetic, Onirism. Dreams and music were our models.
Dumitru TepeneagIt's not the subject of narration that interests me, but the structure. That's why I stay in touch with my old works, which I reread regularly. I don't hesitate to take up previously used images or even whole scenes.
Dumitru TepeneagOn the other hand, Surrealism has been a part of Romanian literature since forever. Even before Tzara, who was originally Romanian, we had Urmuz, who was a surrealist before the term even existed. During Breton's era too, there was a very active Romanian Surrealist group (Ghรฉrasim Luca, Gellu Naum, etc.) closely related to the French. They had to quit their activities as soon as the Soviet communists took over.
Dumitru Tepeneag