I'm fascinated by how you'll change your position so many times over a lifetime, but really what you're doing is occupying a series of positions on a landscape.

You have to assume that you're talking to the most intelligent, tuned-in audience you could ever get. That's the way you're going to get the best out of people. Whether they know you or not shouldn't matter for comedy. They should get to know you pretty quickly. and they should be having a good time pretty quickly.

I'll have to look into [Washington] D.C. a bit more. I know it's given over to the administration and the bureaucracy connected to it. It's a super-organism of the American state. But there's also a parallel city in there where normal people live.

Because their bones are growing, they can only sleep in certain positions, obviously. The crucifix and the swastika tend to be the most popular. Sometimes a combination of the two.

I can't swim. I can't drive, either. I was going to learn to drive but then I thought, well, what if I crash into a lake?

Vodka is a very deceptive drink, because you drink it and you think, "What is this? This is pointless! It's - you can't taste it, you can't smell it... Why did we waste our money on this, bloody - why are we on a traffic island?"

The measure of a conversation is how much mutual recognition there is in it; how much shared there is in it. If you're talking about what's in your own head, or without thought to what people looking and listening will feel, you might as well be in a room talking to yourself.