When you're playing a fictional character reacting to the real world, it's incredibly difficult and confusing and kind of messes with your values a bit.

There is something beautiful in the mundane if you take enough microscope to it and focus in on something that seems innocuous to begin with.

We did some camera tests blacking it out, we made a prosthetic with a gap in it, but that made me look like a donkey, so I vetoed that right away. And then I just finally called my dentist and said, 'You know, I've had this implant for 20 years. What's it involve in taking it out?' And he said, 'It's actually not that big a deal. We can do that.' So we took it out and I was toothless for three months, for the run of the movie [ The Hangover] .I take my job very seriously.

The piano song that I do in the movie [The Hangover], it's a great example, that was never - that wasn't in the script.

You see a lot of sides of people on a movie set because it can be really taxing and to kind of go through all that together - you really get to know someone.

I grew up in Georgia and I think if you're raised in the South it's where a lot of the war was fought, and it's just more present in the sort of psyche of the South. So I've always just been interested and sort of fascinated by [Civil War].

Chickens are a symbol of chaos. Wherever you stick a chicken, unless it's a chicken farm, it's just chaos.