I was surprised by the level of sophistication of the Special Operation forces. Among them were anthropologists and PhD candidates. I felt because I understand the patterns of nineteenth-century jihad in West Africa that I was definitely going to be more advanced than they were in comprehending what the militant rallying cry was.

The future of Afghanistan is incredibly dark, and decisions are happening incredibly quickly. Speculation is a fool's game, but I've seen many political projections that look like the Taliban could hold most of the country, and possibly Kabul, within perhaps a short time. I can't imagine how Afghanistan's fall isn't going to be ten times faster than Iraq's. The role of women in that space is terrifying, and the idea of retribution is a nightmare.

Poetry allows me to write about what I don't know, whereas journalism demands a higher level of certainty to be worthy of being written.

The most dangerous thing I've ever encountered was a run-in with Boko Haram around 2007 in a small town in Nigeria. I got caught along with the photographer I was working with, the same one I worked with on the Afghanistan book, Seamus Murphy. We were caught in an attack by a mob after Friday prayers. And the level of violence was so extreme. It was more violent than any other mob violence I have ever seen.

Poetry is a popular genre in Afghanistan. If you turned on the radio, there would be a poetry program that would be as popular as The Real Housewives.

You can't be wrong in journalism. Take a wrong turn in journalism, and you are writing fiction. You can take a wrong turn in poetry, and something wonderful can happen.

The power of the voice in rap is about the expression of truth, rather than the expression of some kind of artifice. Landays, they're about love and pleasure and oppression and levels of oppression within a family. And because of that, I think rap music is probably closely related.