Nothing is worse for me, as an actor, than when I walk on a set and the director goes, "Okay, you're going to be standing here, the other person is going to be standing here, and you're going to move to there and then do the scene." That doesn't help actors.

The stories that I like to tell and the movies I like are always grounded in the emotional arc of the characters.

I'd love to say that every move I make is completely calculated and I'm sitting on a pile of scripts, sifting through them for the perfect role, but the fact is that there are a lot of talented people out there and there's a lot of competition in our business.

As a director, you want to be really connected to every part of your set, from your actors all the way to your camera operators. Everybody is a part of the creative process, and if they feel like they're part of a team versus just being a tool, they're going to give you something special.

A lot of why we become actors is to fill a void that we have and a part of that void is to live out and tell stories that we've lived or that we hope would have been different in our own lives.

As an actor, most of the time, you only have so much say in how, what and where things go. As a director, you really get to paint a bigger picture. You have many more brushes to use.

Nothing is worse for me, as an actor, than when I walk on a set and the director goes, "Okay, you're going to be standing here, the other person is going to be standing here, and you're going to move to there and then do the scene." That doesn't help actors.