Do we have good writers, producers and actors in the U.K.? Yes we do.

Technical problems are like gremlins. They come and go.

That middle ground of films used to be 70, 80, 90, 100; now it's like anything over 20 or under 140, the middle ground has become this huge area where they don't really want to be.

But in the former, those movie sets that you've been on like that, even if they're huge movies and most of its being spent in special effects afterwards, I think that's the way that we're going.

Oh, IMDB, yeah; there's a few things on there that are TV, they're not film, some things they think we did that we didn't. There's a few inaccuracies in there. It's terrifying though, isn't it?

The idea that the Tony committee and the New York theater community as a whole have embraced Billy Elliot is very, very exciting.

Do we have good writers, producers and actors in the U.K.? Yes we do.