If the studios paid the artists, how would they ever be able to afford the executives?
I liked doing live things, and with the Circus we had a live audience.
John Cleese once told me he'd do anything for money. So I offered him a pound to shut up, and he took it.
When, in 1966, I progressed to The Frost Report, I was paid ten guineas a minute. I was guaranteed three minutes a week, so this was good money.
I didn't want to be big Mr. Ego walking around.
At Cambridge, you have to kiss the vice-chancellor's fingers. But I missed out on that, 'cause I was doing a matinee. I don't want to kiss a strange man's fingers anyway.