When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.

We have no idea how many women were raped in wars - because no one ever asked. So sometimes when people say statistics have escalated, I wonder if, that is true or are we just hearing about things now that we didn't hear about before.

Writing and giving voice to what I am feeling makes me happy. And supporting people in finding their voice, passion, outrage and resistance. There is nothing better than that.

Then there was sex, which, for me, was such a need. When I was younger, I had a need to have sex with everyone. I don't know where that was coming from, but there was such a need to connect physically - obviously, for me to connect physically to myself. There were times, like I say in the book, where you lay on top of me, when you push me down, when you're inside me.

What happens when someone throws you against a wall or tells you you're a jackass or puts you down or calls you bad names? It goes into your body. We hold it in our body. If we don't have a way to let that go and release that, it becomes sickness eventually.

Dance has a transformative effect on bodily trauma.

I really want to help stop violence toward women.