I think one of the problems with the capitalist mainstream is this: no matter what you create to respond or resist it they will buy it.

We have to know people who are outside of our own circle, we have to reach out to people we don't know, we have to protect people who are in tremendous danger. And we also have to not get burned out and let our fear and anxiety and depression sink us. So there's lots of things we have to do right now!

Rock-and-roll was an example of change in the body of the culture. I think it's really what helped bring the anti-war movement to its peak and moved people into the streets to seize the day - the movement was the embodiment of what was happening in the music. This is what taught me that it was possible to bring art and activism together. Without that piece, that energetic embodiment piece, the rest is just intellectual construct.

There were momentary visitations. I was a visitor, not an inhabitant. I think I say that at the beginning of the book: "I have made visits to the earth in my body, but it's always been as a visitor."

I finally know the difference between pleasing and loving, obeying and respecting. It has taken me so many years to be okay with being different, and with being this alive, this intense.

I am not saying people shouldn't be held accountable for terrible acts. But holding people in prisons does not necessarily make them responsible or accountable. It makes them bad. It makes them evil. It puts an end to any process of transformation. It hardens them spiritually and psychologically.

I bet you're worried. I was worried. I was worried about vaginas. I was worried about what we think about vaginas, and even more worried that we don't think about them.