I think one of the problems with the capitalist mainstream is this: no matter what you create to respond or resist it they will buy it.

When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.

I live with that contradiction daily. It is a constant struggle. I struggle very deeply. I don't think I've said this to anyone, but I've wondered if I just want to give up this world and live in the Congo and just be there. But I don't think that's what they need from me.

When you listen to other women’s stories, you begin to understand your own better, and you begin to find ways back through and with each other.

What happened with cancer was that I just became a body. There was nothing else but body for a month. I was chemo'd and operated on and cut and poked. At first it was really horrifying and scary, and then it was just,Wow. You're in your body. This is body!

Theater has an incredible capacity to move people to social change, to address issues, to inspire social revolution.

I am worried about this word, this notion - security. I see this word, hear this word, feel this word everywhere. Security check. Security watch. Security clearance. Why has all this focus on security made me feel so much more insecure? ... Why are we suddenly a nation and a people who strive for security above all else?