Each time a mediocre singer performs, he is saying, in effect, "This is good enough for you." The audience, thrust into that familiar American mood of knowing something is wrong but not knowing what it is, unconsciously absorbs the insult and projects it back onto the mediocre performer in the form of inattention, rudeness and noise.

A woman must wait for her ovaries to die before she can get her rightful personality back. Post-menstrual is the same as pre-menstrual; I am once again what I was before the age of twelve: a female human being who knows that a month has thirty day, not twenty-five, and who can spend every one of them free of the shackles of that defect of body and mind known as femininity.

When women talk about "privacy" they mean abortion rights, and the millions of words feminists have written about "a room of one'sown" refer to psychological space, rarely to physical solitude. For most women being alone is tantamount to being deserted.

The American way of stress is comparable to Freud's 'beloved symptom', his name for the cherished neurosis that a patient cultivates like the rarest of orchids and does not want to be cured of. Stress makes Americans feel busy, important, and in demand, and simultaneously deprived, ignored, and victimized. Stress makes them feel interesting and complex instead of boring and simple, and carries an assumption of sensitivity not unlike the Old World assumption that aristocrats were high-strung. In short, stress has become a status symbol.

If we define a misanthrope as 'someone who does not suffer fools and likes to see fools suffer,' we have described a person with something to look forward to.

If you ever meet someone who cannot understand why solitary confinement is considered punishment, you have met a misanthrope.

Chinks in America's egalitarian armor are not hard to find. Democracy is the fig leaf of elitism.