Each time a mediocre singer performs, he is saying, in effect, "This is good enough for you." The audience, thrust into that familiar American mood of knowing something is wrong but not knowing what it is, unconsciously absorbs the insult and projects it back onto the mediocre performer in the form of inattention, rudeness and noise.

The American way of stress is comparable to Freud's 'beloved symptom', his name for the cherished neurosis that a patient cultivates like the rarest of orchids and does not want to be cured of. Stress makes Americans feel busy, important, and in demand, and simultaneously deprived, ignored, and victimized. Stress makes them feel interesting and complex instead of boring and simple, and carries an assumption of sensitivity not unlike the Old World assumption that aristocrats were high-strung. In short, stress has become a status symbol.

Never look on the bright side. The glare is blinding.

American couples have gone to such lengths to avoid the interference of in-laws that they have to pay marriage counselors to interfere between them.

For men who want to flee Family Man America and never come back, there is a guaranteed solution: homosexuality is the new French Foreign Legion.

Any discussion of the problems of being funny in America will not make sense unless we substitute the word wit for humor. Humor inspires sympathetic good-natured laughter and is favored by the healing-power gang. Wit goes for the jugular, not the jocular, and it's the opposite of football; instead of building character, it tears it down.

The proliferation of support groups suggests to me that too many Americans are growing up in homes that do not contain a grandmoth.