"Very" is the most useless word in the English language and can always come out. More than useless, it is treacherous because it invariably weakens what it is intended to strengthen. For example, would you rather hear the mincing shallowness of "I love you very much" or the heart-slamming intensity of "I love you"?
Florence KingThe American way of stress is comparable to Freud's 'beloved symptom', his name for the cherished neurosis that a patient cultivates like the rarest of orchids and does not want to be cured of. Stress makes Americans feel busy, important, and in demand, and simultaneously deprived, ignored, and victimized. Stress makes them feel interesting and complex instead of boring and simple, and carries an assumption of sensitivity not unlike the Old World assumption that aristocrats were high-strung. In short, stress has become a status symbol.
Florence KingWe worship education but hate learning. We worship success but hate the successful. We worship fame but hate the famous.
Florence KingThere are so many different kinds of people in America, with so many different boiling points, that we don't know how to fight with each other. The set piece that shapes and contains quarrels in homogeneous countries does not exist here. The Frenchman is an expert on the precise gradations of espรจce de and the Italian knows exactly when to introduce the subject of his other's grave, but no American can be sure how or when another will react, so we zap each other with friendliness to neutralize potentially dangerous situations.
Florence KingThank God I'm over the hill. The only heat I have left comes from hot flashes, my promiscuity is confined to the words "one size fits all," and I buy my white cotton unmentionables at Boadicea's Retreat, not Victoria's Secret. None of the things men do to women could possibly happen to me now unless the U.S. is invaded by one of those new Russian republics whose soldiers aren't fussy.
Florence KingTime has lost all meaning in that nightmare alley of the Western world known as the American mind. We wallow in nostalgia but manage to get it all wrong. True nostalgia is an ephemeral composition of disjointed memories... but American-style nostalgia is about as ephemeral as copyrighted d?j? vu.
Florence King