I got the idea that to write books would be the best way to spend a life. I never thought of anything else that seemed like half as much fun, although in my next life I would like to be an architect, too, so I can have an easier time restoring houses.

the house protects the dreamer; the houses that are important to us are the ones that allow us to dream in peace. Guests we've had stop in for a night or two all come down the first morning, ready to tell their dreams.

Splendid to arrive alone in a foreign country and feel the assault of difference. Here they are all along, busy with living; they don't talk or look like me. The rhythm of their day is entirely different; I am foreign.

When I was twelve, I started reading Eudora Welty, Thomas Wolfe, Flannery O'Connor, James Agee, and - do we dare breathe the name - William Faulkner.

What has impressed me the most about the Italians whose tables we've sat at is that they are traditional cooks but also outrageously innovative. These people are wild improvisers.

Memory is, of course, a trickster.

I'm just fascinated by houses. In another life, I'd have probably trained as an architect. If I had enough money, I'd collect them like other people collect teapots. I don't know why I love them so much. I'm just very interested in the idea of a house as a metaphor for the way one lives.