We play melodic music, we play songs, we play all kinds of things and when you improvise you don't just shut out different languages, you use all the languages that you have.

I started getting interested in the notes that I could hear being generated when I hammered on while playing a classical guitar.

I write with a mouse, because it has no psychological associations or memories or habits associated with it.

I think that one of the things that influences me most as a composer is to what extent I can deconstruct and reconstruct the material that I'm working with.

As an improviser I'm now pretty comfortable with trios, so I'm thinking of working up to quartets.

There are always things to examine. What's great is not feeling that I have to refuse any of them. Maybe no good from a PR perspective, but from the point of view of everyday life, it keeps things interesting.

You could say that everything the musicians have learned and known over the years, all of their technical resources, are in a dialogue with the things they are discovering every time, as if it was the first time.