Nobody sold prints then and prices didn't mean anything. In terms of earning your living, it was a joke.

There've been times it's been just impossible to find a negative or whatever. But I'm basically just a one man operation, and so things get messed up. I don't have a filing system that's worth very much.

The camera's dumb, it don't [sic] care who's pushing the button. It doesn't know.

It was interesting; it's an interesting photographic problem [those demonstrations in the late Sixties]. But if I was doing it as a job, I think I'd have to get paid extra.

There is no special way a photograph should look.

I have boxes of pictures that nothing is ever going to happen to. Even Public Relations. I mean, I was going to events long before, and I still am.

Every photograph could be set up. If one could imagine it, one could set it up. The whole discussion is a way of not talking about photographs.