I photograph to see what the world looks like in photographs.

Aside from women, I don't know. My work doesn't function the way Robert Frank's did.

It's got to do with the contention between content and form. Invariably that's what's responsible for its energies, its tensions, its being interesting or not.

I'm still compulsively interested in women. It's funny, I've always compulsively photographed women. I still do.

I was able to work with two heads. If anything, doing ads and other commercial work were at least exercises in discipline.

I may very well move in. I just don't know. I can't sit here and know what pictures I'm going to take.

It was interesting; it's an interesting photographic problem [those demonstrations in the late Sixties]. But if I was doing it as a job, I think I'd have to get paid extra.