We get schooled by the people around us, and it stays inside us deep.

I'm a better writer now because I've worked very hard at getting better. My long-range goal will always be to write better books.

The crime part is the engine that moves the narrative and allows me to write the other things I want to write about.

Top-shelf fiction, a Crown Royal ride into the heart of Night and New York. Con Lehane's work is reminiscent of the best of Lawrence Block, which is to say that this is very good stuff, indeed.

Any time you have poverty, joblessness, sub-par public schools, and a lack of opportunity, you're going to have a high rate of crime.

We remember when women were spoken of differently. I don't mean that we didn't speak of women sexually - that happened. It was never this crude: there wasn't the connotations, the violence. I think there's got to be a relationship between the coarsening of the culture, of which pornography was a piece of the puzzle.

In Europe, I'm recognized on the street sometimes. And that's cool, because I don't have to live there and deal with it every day. Unless you're Stephen King - a great writer, by the way, and anyone who says different knows nothing about the craft - you're more likely to be recognized in America if you play in a soap opera than if you're a novelist.