If somebody is deemed more talented within the confines of the school it doesn't mean they're going to have the most successful career.

Acting by yourself is pretty darn hard, especially having to do physical comedy.

I think that it is important to establish a world of place for the characters in improv and there is nothing to be gained from disagreeing about that. So you have to establish the principle that if some person establishes one thing we're all going to go along with it and that we are all building from it.

I have a lot of good stories for talk shows about the conditions in which I worked.

The amazing thing about working on new platforms is that there is a great deal of excitement. You know, these things - they're brand new. They're trying to figure it out. And so if you're a show that they're supporting, they're going to put a tremendous amount of energy behind you. They're open to new ideas, new ways of promoting a show, and I think that feels really exciting, because network TV sort of feels like a formula. They give you a couple of weeks, and if it works, it works, and if it doesn't, you're most likely going to get cancelled.

I've thought a lot about how if something horrible happened, and if it were like 'The Road' situation, I've decided I don't want to survive past the death of society as we know it.

I'd say I've gone to grad school for comedy being on "Community."