If somebody is deemed more talented within the confines of the school it doesn't mean they're going to have the most successful career.

Without agreement you just have people arguing.

After you do a showcase for agency managers and casting directors and you get this folder and some people had a folder that was thick and some people had a folder that was thin. And there's no fairness to it because it's not a fair business.

It is important to stop being critical and judging ideas as good or bad because I think if somebody doesn't have a lot of experience you worry their idea is going to be bad, it's not going to be good enough, if not going to be active enough and so you can start to think critically about people's suggestions or what they bring to it but once you get out of that and think whatever they come up with is the right thing right now and so I'm just going to build on it just makes everything so much easier and better.

As opposed to trying to make a kiss look romantic or sweet or passionate, it's kind of fun to just have the freedom to make it look weird, goofy and awkward.

I keep reminding myself, through all the ups and downs of 'Community,' that I might never have another job that really means something to people, the way 'Community' means something to people. [...] That's more powerful than ratings.

I think that it is important to establish a world of place for the characters in improv and there is nothing to be gained from disagreeing about that. So you have to establish the principle that if some person establishes one thing we're all going to go along with it and that we are all building from it.