My suggestion to newspapers everywhere is to give the public a reason to read them again. So here's an idea: get on a big story with widespread public appeal, devote your best resources to it, say a quiet prayer, and swing for the fences.

I don't do any research. It's all about gut. Editing - it's always about gut.

In 2004, I wrote 'What We've Lost,' a book about the Bush administration. It sold only reasonably well, in part, I think, because the book was a horrific downer, an unrelenting account of the administration's actions, bungles, deceptions, half-truths, untruths, and downright corruptions.

I think the movie business is in trouble. It's all movies that you've seen before. Everything's a remake; they want things that are familiar rather than things that surprise you.

Every man in the back of their minds would like to own a bar or a racehorse.

I think being Canadian helps you as a journalist in America, because you're sort of on the outside watching this big party going on, and you're sort of taking mental notes as it goes on. I think if you're in the party the whole time, you don't notice it as much. And I think Canadians are very good observers of American culture.

Television has the obvious benefits of regularity and intimacy.