The first people that have the information are the hair and makeup ladies and the wardrobe people, because they often have to plan out the clothes: the things that are gonna get bloody, and the different kinds of gunshot wounds they're gonna have to do. They often have more of a preparation, more time, than we do. You can definitely feel on set the actors trying to get that information, and they're of sworn to secrecy.

With the television thing you have this lull of time where you're not with the character. And when you get those first pages, you're like, "Who is she again? Huh? Where did we leave off?" Then you show up at the read-through and all of the sudden the voice is there, and you realize that the character is still stewing in you all that time, even in the downtime.

I think that's the best way to see things, especially this kind of play where there's no pyrotechnics, it's literally just people talking.

It's fun to play a character when you can't concern yourself with how sympathetic they are.

Hopefully, I'll just get to be part of good films and work with good people, and that's how it will develop.

It's hard to know really how it's going to happen, but the career ebbs and flows and now there's a nicer feeling of interest than there has been at other times.

The first people that have the information are the hair and makeup ladies and the wardrobe people, because they often have to plan out the clothes: the things that are gonna get bloody, and the different kinds of gunshot wounds they're gonna have to do. They often have more of a preparation, more time, than we do. You can definitely feel on set the actors trying to get that information, and they're of sworn to secrecy.