Executives and studios really like to have control over their product. They panic or they're not secure enough to trust in the powers of really amazing improv people.

Animation wasn't my love, but drawing was. I loved drawing, and when it came time to graduate from high school, I looked around and it was like, "Wow, I don't really want to study math. I don't really want to study science. I don't really want to study literature. Is there a place where I can go and draw cartoons?"

The thing I love about sketch is sometimes it leads you as opposed to you leading it. So, I don't go out there [thinking], "Oh, I want to make this as silly as possible." In fact, sometimes I get the most enjoyment out of a sketch that plays very real - and it's so real that it's just funny.

I hate when you go into a nice restaurant - someplace where youre going to spend good money - and there are kids in there crying.

Executives and studios really like to have control over their product. They panic or they're not secure enough to trust in the powers of really amazing improv people.

I grew up on Don Knotts and Jerry Lewis and all the guys from Second City.

Everything's a conspiracy and everything's not a conspiracy. You could look at this planet and go, "This is all a conspiracy. God made this to test us to see if we'll use the nukes." You can let your mind believe anything.