A poet might die at twenty-one, a revolutionary or a rock star at twenty four. But after that you assume everything’s going to be all right. you’ve made it past Dead Man’s Curve and you’re out of the tunnel, cruising straight for your destination down a six lane highway whether you want it or not.

sometimes i'd wake up at two or three in the morning and not be able to fall asleep again. i'd get out of bed, go to the kitchen, and pour myself a whiskey. glass in hand, i'd look down at the darkened cemetary across teh way and the headlights of the cars on the road. the moments of time linking night and dawn were long and dark. if i could cry, it might make things easier. but what would i cry over? i was too self centered to cry for other people, too old to cry for myself.

What the world needs is a set villain that people can point at and say, “It’s all your fault!

I want to write stories that are different from the ones I've written so far, Junpei thought: I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love. But right now I have to stay here and keep watch over this woman and this girl. I will never let anyone-not anyone-try to put them into that crazy box- not even if the sky should fall or the earth crack open with a roar.

I closed my own jazz bar so I could be a man who can write novels as I like. I was pleased about that. This pleasure was connected to the pleasure of writing.

The library was like a second home. Or maybe more like a real home, more than the place I lived in. By going every day I got to know all the lady librarians who worked there. They knew my name and always said hi. I was painfully shy, though, and could barely reply.

I generally concentrate on work for three or four hours every morning. I sit at my desk and focus totally on what I’m writing. I don’t see anything else, I don’t think about anything else.