I give a speech to the black freshmen at Harvard each year, and I say, "You can like Mozart and ice hockey..." - and then I used to say "golf," but Tiger took over golf! - "and Picasso and still be as black as the ace of spades."

I got a letter from this lady of Russian and Jewish descent. She asked me if I was a racist because I didn't do any White people. I was shocked, because my mandate is to do Black studies. It would have never occurred to me if this lady hadn't written this letter. We decided we were going expand the brand and do everybody.

For black America needs a politics whose first mission isn't the reinforcement of the idea of black America; and a discourse of race that isn't centrally concerned with preserving the idea of race and racial unanimity. We need something we don't yet have: a way of speaking about black poverty that doesn't falsify the reality of black advancement; a way of speaking about black advancement that doesn't distort the enduring realities of black poverty.

You should not pick an occupation because your think your parents want you to do it, or because you think it's the noble thing to do. You should only pick a job because it turns you on.

We have to stop making excuses. One of the things that I'm careful to show is the horrendous effects of institutional and structural racism, but in the end, you can't wait for white man or a Black man to come riding in on a white horse to save you. We have to save ourselves, and that's the lesson of "The African Americans."

I give a speech to the black freshmen at Harvard each year, and I say, "You can like Mozart and ice hockey..." - and then I used to say "golf," but Tiger took over golf! - "and Picasso and still be as black as the ace of spades."

Kansas City Lightning succeeds as few biographies of jazz musicians have. . . This book is a magnificent achievement; I could hardly put it down.