I think this market space, this modern world we're living in, one of its greatest failures is that it can only seem to describe a collective in terms of consumers or clients. It never sees an audience or a community as part of the process. And that's something I'm quite proud of, even if the music is crap.

I try to be original in every piece of music I do, and of course I probably fail every time.

I think rhythm is, when you talk about rhythmic sensibility, quite perceptive in that I like to have at least one thing that is at least common or familiar to the audience.

I don't listen to a huge amount of music generally. Partly because you've sat in a studio for 10 hours and then when you come home you just want to read a book, and listen to the sound of your central heating system.

I think this market space, this modern world we're living in, one of its greatest failures is that it can only seem to describe a collective in terms of consumers or clients. It never sees an audience or a community as part of the process. And that's something I'm quite proud of, even if the music is crap.

I think I have a particular logic of my own that has to do with sound and sampling sound, and there isn't a great deal of music out there in that field. Whereas, harmonically and melodically, there's loads.

The more you look into pigs the more you realize quite how everywhere they are. People come in contact with parts of pigs probably between 20 and 50 times a day. And that's before you even eat your dinner. And yet we just have a long string of negative words about them.