Sound is not simply what we hear or play, but equally a feeling in the body

Failing to remember is the primary reason for most performers' poor practising habits.

As soon as effective listening takes place, the ear identifies what needs to be done and guides the techniques search for a solution

Good listening is always the first step in the process that creates technique and capability

The underlying aim of practice . .is to create certainty through the development of high-quality listening.

The most valuable practice aid is patience.

It is the height of professionalism to be able to make an ordinary piece of music sound good. When playing routine melodic studies the player must treat them as if they are musical value.