I look for good directors mainly because if you do enough of movies where there's not a real creative vision behind it, you start to turn into a robot and you want to jump off a bridge.

Iris, if you were a melody...piano melody. I used only the good notes.

I'm always looking for talented people that I want to collaborate with.

I'm not thinking about forcing my kids to watch my movies. It's always awkward when someone says: "Hey, I wrote a song, can I play it for you?" That would be the dynamic, if I was like: "Hey, you're my son, watch my work!" I don't want to put them in that awkward position. Just because when they get older, that's when I'm worried, that they'll judge me and say: "Yeah, my father's ******* Jack Black. He was in that cheesy movie." So, I'm going to keep it all high quality. It'll be a quality controller.

Just because you don't know how to do stand-up doesn't mean you don't know how to put on a show.

Part of the acting gig is when you're let loose some improvs and put stuff into your own words every once in a while. That doesn't get you a writing credit or more money. It just makes it more fun.

The thing is, the kids always rebel against what the parents try to push on them so I'm going to pretend like I don't want my son to hear the rock. I'm going to listen to it only in my private chambers. He'll hear echoes of it and say: "What was that you were listening to papa?" And I'll say: "Nothing son, you're not ready."