OK, the director makes the movie. But some movies can't get made without someone like me in them.

I take responsibility for my successes as well as my failures. But when I look at my professional mistakes, I'm always left with the feeling that maybe I should have done more.

You can follow the action, which gets you good pictures. You can follow your instincts, which will probably get you in trouble. Or, you can follow the money, which nine times out of ten will get you closer to the truth.

You know, I think I understand what you're like now. You're very beautiful and you think men are only interested in you because you're beautiful. But you want them to be interested in you because you're you. The problem is, aside from all that beauty, you're not very interesting. You're rude, you're hostile, you're sullen, you're withdrawn... oh, I know- you want someone to look past all that at the real person underneath. But the only reason anyone would bother to look past all that is because you're beautful. Ironic, isn't it? In an odd way you're your own problem.

As a means of supporting experiential element in film, once I begin to work on a particular movie I consider myself to be the tool of the director.

I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.

For a long time, I was afraid to be alone. I had to learn how to be alone. And there are still times when I think, Uh-oh! I gotta talk to somebody here or I'm gonna go crazy! But I like to be alone. Now I do. I really do. There's a big luxury in solitude.