I've always worked to find really deep meaning of song and also at the same time having it covered in sugar, so it can be taken two or three different ways.

I think the most important thing is to start with something that fits perfectly. Don't worry about having it in five colors.

You can't steal an artist's songs and also tell him he can't license that music to a commercial.

I was in a Montessori school. There was a drum circle with all the kids passing around a little bongo drum. I was the last person in the circle, and when it got to me I played 'Shave and a Haircut, Two Bits' - in front of all the parents. Blew the crowd away at five years old.

It's kind of ridiculous that I find inspiration in just getting away from everything. But when you've gone through it, you realize that it's the enemy. It's a distraction from what you're really doing. You've got to keep moving. Like a shark.

I'm always surprised when anything about the band connects. But I love the fact that it's hard for people to understand. We've said before that it's always been a great thing to get certain people to go away thinking, 'Oh dear, she can't play the drums!' 'Fine, if you think it's all a gimmick, go away!' It weeds out people who wouldn't care anyway.

If you saw me working with construction crews or graphic designers, you'd see how much I'm really hoping for them to bring something to the table and let God in the room and let things happen naturally.