And sometimes it's fun to be the guy who just really enjoys it, like the guy I'm playing now on The Cape. He's more that. He's much more flashy and debonaire and devil may care-ish. He just loves doing bad in the world. That's real fun to do.

For all that Tron wanted to be, it ultimately had to be a fun ride for the audience and I was going to be one of the comic characters, and he was really on top of that. He was having such a good time doing it. That's my memory of it. I'd love to work with him again. I think he's great.

Acting isn't something that I think about very consciously, somehow that just doesn't work for me. I just kind of feel my way into it.

I also thought the music was a huge contribution, in terms of creating the scale of that. And, I was impressed with just how natural and fluid the world looks. The world is so artificial and it requires so much work to make all the different pieces add up together, but when it comes together, it just looks effortless. It's amazing.

You know, what I didn't know was how many people in the tech world the original movie had such an impression on. That's really interesting to me because a lot of the people who created this technological revolution that we're all living through were kids when Tron came out, and they saw Tron and it impacted them.

Working with CGI is more like doing theater where your sort of imagining things. I didn't experience it as restrictive.

The problem with trying to make a film good and have it work for an audience is the problem of trying to tell a story well. The shape or the color of it doesn't matter.