When people come to our show [Aladdin], I want them to forget about that for a little while and enjoy the moment. That's what I want to give them. I loved performing since I was a little kid.

When you see big people, they expect them to wobble or something. The whole feeling of bigger people in this country is so negative. This works for me.

One of the great things about this genie [from Aladdin] is that when Robin Williams created him, and they created this after him, they were allowed to go crazy and when they had to go find someone to play the role live, they had to find someone who was nutty enough to go in different directions.

People think that [I will leave Aladdin after Tony reward], but what they don't understand is that we actually enjoy what we are doing. This wonderful company that I work for has allowed me to do other things while I'm doing this.

And also, folks live in a regular world, so when they come to our show [Aladdin], we want to take that away from them for a little bit. Just give them two hours to make up for the train that didn't come on time or the terrible news you get from TV.

I do enjoy that folks [ Howard Ashman, Tim Rice and Chad Beguelin] really get into [ Aladdin ] because I enjoy getting it. I love it where you just get to go nuts. Ninety percent of what you hear, he wrote. There's ten percent that he let me play around with in the studio and actually put in the script if it was funny enough.

I remembered getting the script for the auditions [of Aladdin], I had asked someone there if improvs were allowed, and he said everyone is sticking to the script. I said to myself that they are either going to love me or hate me. I was crossing out lines and throwing in my own lines. I went into the room and started doing things. They were like, "This boy is nuts! We should keep him." That's how it all came about.