Ours is a precarious language, as every writer knows, in which the merest shadow line often separates affirmation from negation, sense from nonsense, and one sex from the other

Youcanfooltoomanyofthepeopletoomuchofthetime. See Lincoln 510:35.

A drawing is always dragged down to the level of its caption.

Salvador [Dali] was brought up in Spain, a country colored by the legends of Hannibal, El Greco, and Cervantes. I was brought up in Ohio, a region steeped in the tradition of Coxey's Army, the Anti-Saloon League, and William Howard Taft.

Speed is scarcely the noblest virtue of graphic composition, but it has its curious rewards. There is a sense of getting somewhere fast, which satisfies a native American urge.

A woman's place is in the wrong.

In an extensive reading of recent books by psychologists, psychoanalysts, psychiatrists, and inspirationalists, I have discovered that they all suffer from one or more of these expression-complexes: italicizing, capitalizing, exclamation-pointing, multiple-interrogating, and itemizing. These are all forms of what the psychos themselves would call, if they faced their condition frankly, Rhetorical-Over-Compensation.