I'm sixty-five and I guess that puts me in with the geriatrics, but if there were fifteen months in every year, I'd only be forty-eight.

If a playwright tried to see eye to eye with everybody, he would get the worst case of strabismus since Hannibal lost an eye trying to count his nineteen elephants during a snowstorm while crossing the Alps.

I have lived in the East for nearly thirty years now, but many of my books prove that I am never very far away from Ohio in my thoughts, and that the clocks that strike in my dreams are often the clocks of Columbus.

Writers of comedy have outlook, whereas writers of tragedy have, according to them, insight.

We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.

Beautiful things don't ask for attention.

Editing should be, especially in the case of old writers, a counselling rather than a collaborating task. The tendency of the writer-editor to collaborate is natural, but he should say to himself, 'How can I help this writer to say it better in his own style?' and avoid 'How can I show him how I would write it, if it were my piece?'