Remember technology does not make good work. You can still write a poem on a brown paper bag, and haiku is just as profound as the pyramids.

My work is about your seeing. There is a rich tradition in painting of work about light, but it is not light -- it is the record of seeing. My material is light, and it is responsive to your seeing.

We live within this reality we create, and we're quite unaware of how we create the reality. So the work is often a general koan into how we go about forming this world in which we live, in particular with seeing.

I like when you feel like you arrive in a very different place, with a different ordering of the reality you normally think of.

Space has a way of looking. It seems like it has a presence of vision. When you come into it, it is there, it’s been waiting for you.

The Meeting is actually like the Gunpowder Meeting, or some of the earlier American Quaker MeetingsThe long house form is something that was traditionthat's what I started with as an idea. But then making this in terms of the sizing and the use that was asked for by Live Oak Meeting- I mean it's a very traditional form, except it's convertible. The top opens, and it makes a sky space where sky is really brought down to you; your awareness of it is made quite different. It was a little bit of a novel idea, that it's a roof that opens.

When you’re O.C.D., you want the most beautiful animals.