Remember technology does not make good work. You can still write a poem on a brown paper bag, and haiku is just as profound as the pyramids.

My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.

I always wanted to make a light that looks like the light you see in your dream. Because the way that light infuses the dream, the way the atmosphere is colored, the way light rains off people with auras and things like that...We don't normally see light like that. But we all know it. So this is no unfamiliar territory - or not unfamiliar light. I like to have this kind of light that reminds us of this other place we know.

[My work] is using light as a material to influence or affect the medium of perception. I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.

Light is not so much something that reveals, as it is itself the revelation.

I like when you feel like you arrive in a very different place, with a different ordering of the reality you normally think of.

I was maybe 5 or 6, and my grandmother would begin sitting me in the Quaker meeting house. I asked my grandmother, 'What am I supposed to do?' and she said, 'Just wait, we're going inside to greet the light.' I liked that—this idea to go inside to find that light within, literally as well as figuratively.