When I go to another country, I try to be a big sponge and look at what the houses may look like and what colors predominate. I do not do research as much as just get ideas and ask people about things.

I've found places that are just as beautiful as New England, but this is my home.

I remember kids used to give me a penny for drawing them a horse. I loved horses, but I couldn't have one, so I would draw a horse for myself. I would make it food and a blanket for it to wear and a place to live.

Of all people, children are the ones that really understand when there's a truth there for them - an emotional truth. The characters really have to work. Children, as an audience, are very inspirational for me.

We're going to Surf City, gonna have some fun. Now, two girls for every boy.

I create books for six-year-olds. I don't know why that time of my life was so important to me, but no matter what I draw, it always looks like it comes from a children's book. I can't resist. I'll set out to paint a serious picture then think, "Well, maybe there would be a little bunny in that corner."

A lot of times it's the child that sees something and not the grownup. I love that because, when readers get older, they start looking for the most important ideas in the story. They don't look at things in the same way anymore. Children haven't really learned to do that yet. They take all their great, intellectual skills, look at the full page, and appreciate all of the different things.