I will shoot on film as long as they make it.

When you make a thriller/horror, darkness is [your] friend, because it lets the imagination go wild and what not. So you always end up going into darkness.

For me, it was the challenge of doing a movie that is in one location. Usually, there are a few scripts obviously always going around with stories that happen in one location.

I think video is very useful, but it's very useful when you want a certain reality.

When you're a kid and you see gangsters living the life, you kind of want to be like that.

Anamorphic doesn't really lend itself to the big shots.

The hard part on the subway is that you have, let's say, eight hours, but you have to hit these deadlines. From here to here, you can use this part. From this time to this time, you can use that part, and you have to hit them and it gets very stressful.